classifications

These are organised into four semantic or classificatory
zones: authentic masterpieces (in relation to the art museum/market and notions of
connoisseurship); authentic artefacts (typically describing the classification of objects as
material culture in many ethnographic museums); inauthentic masterpieces (such as
fakes, ready-made art objects); and inauthentic artefacts (such as tourist art and curio
collections) (see Figure 1)